Showing posts with label pre-production. Show all posts
Showing posts with label pre-production. Show all posts

Tuesday, 17 August 2010

Naming

Hey All

I am pleased to announce the cast for Little Things

Chris Jones - Leonard
Richie Nolan - Weaver
Lisa Solari - Lisa

Also I have now officially got a name for my production company (assuming everything is ok with Companies House.

Introducing BROC GLIC PRODUCTIONS LIMITED

I've even got a logo:

















Look closely, the badger's stripe is a strip of film.
The things I spend my time on!

Mark out

Wednesday, 11 August 2010

An Eventful Day

Today was a hell of a day. Today I started to really explore the legal aspects making a short film. I thought that the hard part of making a short film was going to be getting the crew and equipment needed to shoot, followed by a hell of a lot of time in front of the screen editing, then moving on the monumental task of getting the picture seen. How fucking naive I am. The big hard complicated stuff is all the legalities.

I asked a simple question via e-mail to the Film Agency for Wales this morning. Do I need to get permission to shoot a scene in a public park? (Before I get sidetracked can I just comment on how patient, efficient and helpful the people in the Film Agency for Wales. If you need advise on making a film and you live in Wales you should absolutely contact them)To be honest I kinda expected the answer to be "No, of course you don't! They're public spaces, just don't blow anything up and it's fine!" Jesus I am naive. "Yes you need permission, get in touch with the Wales Screen Commission and they'll tell you who to contact and what you need". So I did. Again let me say how incredibly helpful the people there are. I was told that to get permission to film I needed to contact the local authority. However unless I completed a risk assessment and had public liability insurance the local authority wouldn't touch me with a shitty stick. I went digging at lunchtime and called the first media insurance company I could find. The informed me that as well as public liability insurance I was required by lay to have employers insurance. Every single person contributing to this is volunteering their services for free but I still have to get employers insurance! "Okay so how much is that going to be?" "Five Hundred and Twenty Quid" "FFFUUUUCKCK!!!" This was supposed to be a zero budget project. The camera from Ebay was supposed to be the only real expense. But I'm supposed to fork out nearly the same amount of money again for insurance for a two fucking day shoot!

A brief explanation of what I have found out about what insurance is required:
  • Public Liability Insurance - Insurance against any damage or injury caused by your cast, crew or equipment
  • Employers Insurance - Insurance against damage or injury caused to your cast or crew
  • Equipment Insurance - Insuring any of the gear involved, either yours, borrowed or rented.
I asked  the Film Agency for Wales and the Wales Srceen Commision again for their advise and was put in touch with Essex Insurance Brokers. Quote for Public Liability and Employer Liability Insurance - one hundred and fifteen quid. Big fucking difference. 

Other legal requirements that I have learned about that are required:
  • Permission to film  - for locations that are not yours you need permission, if it's a public space you need permission from the local authority, which requires insurance and a risk assessment. You may also need to get permission from the police.
  • In order to reduce your liability its advised to set up and register a production company. This involves registering with Company House and with HM Customs and Revenue for Corporation Tax. Jesus!
  • Contracts for cast and crew, yes even if they are volunteering services for free.
  • Waiver for graphics, logos and fonts, that appear in the film unless they are just incidental. That's right Fucking Fonts!
  • Waiver for any sound, music, video or images that aren't yours.
If you don't get any of these that you require you won't be able to get the film shown anywhere for fear of getting sued. The legal profession has a lot to answer for. I am aware that some friends of mine in the legal profession may be reading this so I must be careful to intentionally direct all my bitterness squarely at them. You know who you are!

Music is biggie from a legal point of view. I'm fortunate that I know someone in a talented but unsigned band, The Crow Hearts (Check them out if you get the chance) If you want to get some music from a signed band or some music that has been published elsewhere, on the off chance that you actually find the person or company that owns the rights, the cost will be huge.

I shall leave the hellish dystopian landscape that is the land of the law to touch on something a little sunnier. I finalised my cast today! Yaaaay! More info on that another time

I'm off to buy a fucking white curly wig

Mark out

Tuesday, 10 August 2010

The Blank Page

This is my first post to document the making of "Little Things". "Little Things" is a short film that I wrote, am producing and directing myself. I hope to complete shooting by the end of September and have it edited ready for viewing by the end of 2010. I'm pretty sure I'm biting off more than I can chew. For those of you that don't know me I did not go to film school and I do not work for the media. I do also have a day job so this is a part time exercise only.

At some point it's going to be in real time, letting everyone know what is happening as it happens, but I've already done a fair bit so for the moment I'm going to play catch up and for the next few posts let you know what I've done so far. The stuff I have learned along the way basic as it is I will pass on, maybe it'll be useful. The most sensible place to start, is the beginning.

"Little Things" started as a dream. How fucking twee does that sound! It is true though, the initial premise for the film is from a dream I had about eighteen months, maybe two years ago. I'd love to say that the story played itself right before my eyes fully formed, but it really bloody didn't. I got a kernel of an idea, that's it, since then it's been donkey work. The script has been through at least 4 rewrites with dozens of revisions.

Okay, piece of advice number one, if you want to write a script it needs to be in a format that any one who knows anything about reading scripts will expect, otherwise it won't get read. Why do you want it read? feedback from people who know their stuff for a start, your mates and family won't give you the brutal honesty that you need. There are people working in organisations such as the Film Agency for Wales and Northwest Vision and Media who will take the time out to read and feedback on scripts if you ask them nicely. BE quick about it though, with the UK Film Council getting abolished, Christ knows how long they'll be around.

Also if you plan on getting it made, you can't do it all yourself, other people will need to be involved, actors for a start. If you want some actors, you have to show them your script, if you want to show them your script... I think you see where I'm going with this. So, formatting. I'm not going to go through what the format should be, there are plenty of books and websites that will tell you that. What I will say though is that if you try and use something like Word to do the formatting for you it is a complete and utter scrotum ache. There are specific tools out there for script writing and the one I use is FREE! Celtx is a pre-production project tool, there are some add on utilities that cost some money but the script formatting tool is free. I highly recommend it


You can download Celtx here: www.celtx.com

Celtx also has a storyboarding tool, but storyboards is something I'll talk about another time.

Later